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Tokyo Vice: An American Reporter on the Police Beat in Japan, by Jake Adelstein

Tokyo Vice: An American Reporter on the Police Beat in Japan, by Jake Adelstein


Tokyo Vice: An American Reporter on the Police Beat in Japan, by Jake Adelstein


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Tokyo Vice: An American Reporter on the Police Beat in Japan, by Jake Adelstein

Review

“Groundbreaking reporting on the yakuza. . . . Adelstein shares juicy, salty, and occasionally funny anecdotes, but many are frightening. . . . Adelstein doesn’t lack for self-confidence . . . but beneath the bravado are a big heart and a relentless drive for justice.”--The Boston Globe  “Gripping. . . . [Adelstein’s] vividly detailed account of investigations into the shadowy side of Japan shows him to be more enterprising, determined and crazy than most. . . . In some of the freshest pages of the book, our unlikely hero tells us about his initiation into the seamy, tough-guy Japan beneath the public courtesies,. . . . Adelstein builds his stories with as much surprise and grit as any Al Pacino or Mark Wahlberg movie, blurring the lines between the cops, the crooks and even the journalists. . . . Tokyo Vice is often so snappy and quotable that it sounds as if it were a treatment for a Scorsese movie set in Queens. Yet the facts beneath the noirish lines are assembled with what looks to be ferocious diligence and resourcefulness. For even as he is getting slapped around by thugs and placed under police protection, Adelstein never loses his gift for crisp storytelling and an unexpectedly earnest eagerness to try to rescue the damned.”—Pico Iyer, Time"A journalist's memoir unlike any I've ever read."--Dave Davies, Fresh Air “Marvelous. . . . Tokyo Vice offers a fascinating glimpse into Japan’s end-of-last-century newspaper culture as seen from a gaijin’s perspective. It’s filled with startling anecdotes and revelations. . . . Adelstein writes of his quest for scoops with sardonic wit, and his snappy style mixes the tropes of detective fiction with the broader perspective of David Simon’s books as he makes a careful account of his journalistic wins and losses. . . . The author’s gallows humor bleeds into even darker, more serious hues once Adelstein starts covering the Japanese mafia. . . . Astonishingly proves that no matter how weird and perverse Japan may seem in fiction, the real thing never fails to exceed our most violent expectations.”—Sarah Weinman, Confessions of an Idiosyncratic Mind “Tokyo Vice succeeds on several levels: as gripping journalism, as a ragged crime tale, as culture-shock memoir. Stakes are raised in its third act as the yakuza exercise increasing pressure on Adelstein, but he pursues the story anyway. Obviously, he lived to tell his tale — and thank goodness, because it’s a fascinating one.” —BOOKGASM “Engrossing. . . . fast-paced.”—The Atlanta-Journal Constitution “Exposes Tokyo’s darkest, seamiest, most entertaining corners. . . . [A] gritty, true-to-life account of 12 years on the news beat as a staffer for a Japanese daily — and it is exceptional. Its classic atmospherics rekindle memories of Walter Winchell and Eliot Ness. It’s a tale of adrenalin-depleting 80-hour weeks, full ashtrays, uncooperative sources, green tea, hard liquor, and forays into the commercialized depravity of Shinjuku’s Kabukicho. . . . Definitely raises the bar. . . .  A classic piece of 20th century crime reporting.”—The Japan Times "[A] gripping story. . . . Pulls the curtain back on a sordid element of Japanese society that few Westerners ever see. In addition to his clash with [a] yakuza boss, Adelstein details the more notable cases from his 12-year career at the Yomiuri, including "The Chichibu Snack-mama Murder Case" and "The Emperor of Loan Sharks." No less fascinating is the view Adelstein provides into Japanese society itself. . . . Adelstein's Tokyo is a veritable Gomorrah where nearly every act of intimacy is legally bought and sold."—San Francisco Examiner "Debut author Adelstein began with a routine, but never dull, police beat; before long, he was notorious worldwide for engaging the dirtiest, top-most villains of Japan's organized criminal underworld, the yakuza. Thanks to [Adelstein's] immersive reporting, readers suffer with him through the choice between personal safety and a chance to confront the evil inhabiting his city. . . . Adelstein also examines the investigative reporter's tendency to withdraw into cynicism ("when a reporter starts to cool down, it's very hard… ever to warm up again") but faithfully sidesteps that urge, producing a deeply thought-provoking book: equal parts cultural exposé, true crime, and hard-boiled noir."—Publishers Weekly, starred review "Not just a hard-boiled true-crime thriller, but an engrossing, troubling look at crime and human exploitation in Japan."—Kirkus "Terrific. With gallows humor and a hardboiled voice, Adelstein takes readers on a shadow journey through the Japanese underworld and examines the twisted relationships of journalists, cops, and gangsters. Expertly told and highly entertaining."—George Pelecanos"Sacred, ferocious and businesslike. This is the Japanese mafia that Adelstein describes like nobody else." —Roberto Saviano, author of Gomorrah: A Personal Journey into the Violent International Empire of Naples' Organized Crime System"A gripping and absorbing read. Very few foreigners ever come close to discovering what's really going on in Japan's closed society. Adelstein chases two major stories that pull him into a vortex of destruction, threatening his friendships, his marriage and even his life. As he battles with profound issues concerning truth and trust, Tokyo Vice approaches a heart-pounding denouement. This is a terrifying, deeply moral story which you cannot put down, and Adelstein, if occasionally reckless, is an extremely courageous man."—Misha Glenny, author of McMafia: A Journey Through the Global Criminal Underworld"A tale of a gaijin who stumbled onto a story so important and so dangerous that it put his life at risk. A yakuza offered him half a million dollars not to tell it. He wrote this book instead." —Peter Hessler, author of River Town: Two Years on the Yangtze "In this dark, often humorous journey through the underworld of Tokyo, Jake Adelstein captures exactly what it means to be a gaijin and a reporter. Whether he is hunting for tips in Kabukicho or pressing yakuza for information, it is an adventure only he could write. For anyone interested in Japan or journalism, this is a must read." —Robert Whiting author of Tokyo Underworld: The Fast Times and Hard Life of an American Gangster in Japan"Anyone interested in tattooed yakuza, 'soapland' brothels, and the various other aspects of Japan's lurid underbelly is guaranteed to be electrified by Tokyo Vice. Why is a manual on the perfect way to commit suicide a Japanese bestseller? Who goes to sexual harassment clinics? What's it like to spend a night in a male hostess bar? Tokyo Vice reveals all this and more. It's a story of lust and profit; a chronicle of fear and determination; most of all, a modern bildungsroman that simultaneously illuminates the soul of its narrator and that of modern Japan through the underside of Tokyo, the world's most fascinating city. I loved this book for many reasons—its humor, its pathos, its insight, its honesty—and maybe most of all, for reminding me of how lucky I am to live here."—Barry Eisler, author of Fault Line"Jake Adelstein's razor straight reporting from the mean streets of Tokyo is a coming of age story that reveals more than it pretends to—because he has the guts to find the truth, and the gall to tell it."—Roland Kelts, author of Japanamerica: How Japanese Pop Culture Has Invaded the U.S."Vivid, insightful, and totally revealing of the decadent, seedy and sexual parts of Japanese society, Tokyo Vice is ripping fun."—Karl Taro Greenfeld, author of Speed Tribes: Days and Nights with Japan's Next Generation "Jake Adelstein writes in the classic hard-boiled Dashiell Hammett manner—complete with stubbed out cigarettes and a shot of whiskey shared with his cop informant—but this is not San Francisco or New York, it's Tokyo, and it's not fiction.  Those who live and work in Japan will recognize reality on every page.  It's at times a harsh and ugly reality, but depicted humorously with whimsical details of Japan's twilight world that we only dreamt of. A guaranteed page-turner." —Alex Kerr, author of Dogs and Demons: Tales from the Dark Side of Japan

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About the Author

Jake Adelstein was a reporter for the Yomiuri Shinbun, Japan’s largest newspaper, from 1993 to 2005. From 2006 to 2007 he was the chief investigator for a U.S. State Department-sponsored study of human trafficking in Japan. Considered one of the foremost experts on organized crime in Japan, he works as a writer and consultant in Japan and the United States. He is also the public relations director for the Washington, D.C.-based Polaris Project Japan, which combats human trafficking and the exploitation of women and children in the sex trade.

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Product details

Paperback: 352 pages

Publisher: Vintage Crime/Black Lizard; 59483rd edition (October 5, 2010)

Language: English

ISBN-10: 0307475298

ISBN-13: 978-0307475299

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

214 customer reviews

Amazon Best Sellers Rank:

#173,037 in Books (See Top 100 in Books)

I read this book on a recent trip to Japan. I had read about Jake Adelstein in the New Yorker so naturally this stranger in a strange land account sounded find and enjoyable— especially since Adelstein is likely as close to an insider as an gaijin in media history.The first third is about his introduction to Japanese culture as a cub reporter in the suburbs of Tokyo, the next third is what he learned about Japan while working his way, and the remainder is his vendetta against the corrupt and backwards ways crime and graft seep into all levels of Japanese administration through the black hand of the Yakuza.Looking back, this part is the least interesting— enterprising, selfish reporter makes good by taking on the cause of human trafficking and sex slavery. I’ve heard that one before. Still, an awakening is nice to see even if Adelstein’s wife and children suffer while he saves the world (by the way, Jake, at some point you completely stopped writing about your family, rendering your son’s birth to a footnote. That’s cold, man).Still, Adelstein is a good recounted of anecdotes, self deprecating (in a self satisfied way), and can be very funny. I enjoyed this quick read and recommend it while on a trip to Japan.

Of all things to recommend as an introduction to Japanese/American culture, this is certainly an odd choice (dealing with Japan's rotting underbelly, rather than their clean streets or high academic standards, say), but that's exactly what I did. A friend of mine is collaborating with Japanese colleagues at work (entirely legitimate), and I suggested he read this book as cultural background.In addition to all the TRUECRIME stuff, this book covers a lot of mundane cultural topics, transferable between journalism at a large company to other work in a large company, to relations between professionals in other aspects of Japanese life, etc.... and then there are the psychotic Yakusa, and Japan's attitudes towards sex, etc... wild stuff.I suspect Adelstein is following a contemporary Japanese literary tradition in journalist monographs in lying his head off whenever it can improve the story without distorting the facts. Once you appreciate that this is a) to protect sources b) doesn't change the ultimate facts c) makes for a better story and d) is (probably) what other Japanese authors are doing... I got over it, but this structure was the main draw-back for me.

Heavy on humor, light on tragedy: the way a good autobiography should be. Adelstein makes plenty of observations that can be translated into advice for use outside his professional purview; another sign of a good autobiography. All told, “Tokyo Vice” is a solid mix of information and anecdote. It makes for quick reading that is sometimes educational.Recommended for: people looking for insight on international journalism; people interested in learning about Tokyo's underbelly (at least in a topical sort of way); people researching the sex industry or human trafficking and it's consequences (especially in one of the biggest, most developed cities in the world).Be warned: the discussions about, and descriptions of, what goes on in the sex industry are particular frank and at times unsettling. This seems by design, given Adelstein's later work on investigating human trafficking for the US State Department.Some examples of Adelstein's writing:“Heroes are just people who have run out of choices. You still had a choice. You made the right choice.”“On my way home from the film, I spotted a funny-looking tarot fortune-telling machine at the entrance of an arcade. In my uncertain state of mind, I figured it couldn't hurt to consult an expert.”“That led us into a twenty-minute discussion of the differences between Japanese and U.S. Porn. The reporters were shocked to learn that octopuses and other animals of the sea were rarely used to drape the genitals in American porn and that sex through panty hose wasn't a popular theme. I was asked to bring back some videotapes on my next visit to America.”“Objectivity is a subjective thing.”“The Japanese believe there's a right way to live, to love, to induce female orgasm, to chop off your pinkie, to take off your shoes, to swing a bat, to write an article about homicide, to die -even to kill yourself. There's a right way -a perfect way- to do everything.”

As someone who's lived in Japan, I am awed by Jake Adelstein's achievement. A foreigner who made it as a fluff-writer for a regional paper in Japan would be impressive enough, but Adelstein made it to the toughest beat -- vice -- of one of Japan's premiere national newspapers, Yomiuri. That alone would make a solid story, but Adelstein went two or three light years beyond that and ended up reporting on Japan's most dangerous organized thugs.Not a career path chosen by those who plan to live a long life.What really makes this book so compelling are his soul-bearing accounts of personal relationships -- with an unfailingly honest cop who mentors him in the realpolitik of reportage, with a fellow Yomiuri reporter who makes a critical career misstep, and with a gaijin bar girl who starts out as a source, becomes more than a friends, and ends up . . . Well, I don't want to give away too much. But suffice to say that this last relationship for me was the most controversial aspects of Adelstein's tale.Few Americans have ever been granted access to this world, and upon gaining that access, Adelstein didn't just peek around; he kicked over desks and looked in all the closets. His is one of the ultimate stories of an outsider making it in a highly insular world, like Lawrence of Arabia but instead of a dagger and pistol with sunglasses, clove cigarettes, and notepad.

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